To those of you who found themselves excited regarding next month’s unharness of The Twilight Saga: Breaking Dawn Half 2 for the only reason that it finally wraps up the saga of Bella, Edward and Jacob as gifted to the world by Stephenie Meyer, you'll wish to sit down down for a second; I actually have some dangerous news. According to reports that appeared on-line last week, Summit Entertainment is considering continuing the movie series past the story from the primary novels, with sources suggesting either movies or TV show spin-offs “simply set in the identical world as the one in the movies, however not that features the most trio,” with specific attention being paid to the Native American werewolf pack that seems within the initial. You will begin your gnashing of teeth currently.
It’s not simply Twilight haters who should feel nervous concerning this development. The history of cinema is crammed with makes an try by studios, executives and well-which means-however-misguided moviemakers to hunt out some method to extend the lifespans of successful film series well past their time. An entirely unscientific survey of my Twitter feed recently revealed that the common consensus was that every long-lived series has gone a minimum of one installment too long; certain enough, once you study this list, it’s arduous to create an argument otherwise. It’s one in every of these things that exposes the strain between creative integrity and business acumen in the planet of recent media—turning regardless of shocked and entertained us in first blush into commodities to be repeated, repackaged endlessly on an everyday basis is one factor that we tend to have a tendency to instinctively recoil from, I think, as a results of we tend to have a tendency to wish our stories and ourselves to be “higher” than that. We aren't numbers, we have a tendency to tend to suppose to ourselves, and what we tend to generally tend to induce pleasure from has one issue “a heap of” to it than pre-packaged ingredients mixed in a very terribly explicit formula, right…?
Worse still, the Twilight potential spin-offs or sequels could build the most important mistake of all—continuing on without the central characters. You will observe a variety of the better-known samples of this trend and judge for yourself whether or not or not or not it’s a sensible idea, however it does counsel that a express movie series has stopped being concerning consistent characterization and a coherent narrative in favor of “further of the identical, but less thus.” An stunning, however not unconvincing, example: Examine what happened to the American Pie series as a result of it continued sans the initial cast. Or the planet of the Apes series, in that two separate astronauts — further, if you embrace the television spin-off — had specifically the identical freak accident that threw them into an ape-dominated therefore much future, as a result of Charlton Heston knew to quit once his first movie.
(ADDITIONAL: The Twilight Saga: Breaking Dawn-Half I. A heap of Like Breaking Yawn)
These days, after all, we have a tendency to expect movie audiences to be additional evolved, with tastes therefore refined that such casual ingenious sleight-of-hand would be rejected outright. That’s why we have reboots, when all; same end results of cheaper, younger casts, however without the need to lose the cozy familiarity of the central characters that everyone knows and loves. Everybody wins, so long as you don’t count the initial forged. However, as this year’s The Bourne Legacy ably demonstrated, the idea of replacing your big names with newcomers playing the younger brother/distant relative/employee of your favorite character lives on, with Bourne performing surprisingly strongly at the box workplace for a sequel devoid of the leads of the sooner installments. Take into consideration it either a solitary throwback to the days where the Apes movies were successful no matter who the humans in question were, or a form of things to come; once all, 2014?s Transformers four is additionally reported to be moving down the same “actors and characters are interchangible, it’s all regarding the toys” route. (It’s a neater pill to swallow on tv, it appears: Contemplate the success of one factor like Frasier as a continuation of Cheers, or Lou Grant as the following
chapter of The Mary Tyler Moore Show.)
I’m tempted to push Marvel Studios’ mooted SHIELD TV show in with this trend of dumping your heroes for his or her newer counterparts. Yes, it’s not a right away replacement for the Avengers movies, however it's a spinning out of one background concept in an attempt to stay the hunger for the initial, therefore abundant totally totally different, concept satiated. Is that really so completely different from following The Twilight Saga with The Saga of those Werewolves That Don’t Like Shirts Out’ve Twilight?
In fact, SHIELD has one issue going for it that any potential The Twilight Saga: Those Other Guys movie would: the active participation of Joss Whedon, the writer and director of The Avengers, the movie that got everybody curious about SHIELD in the first place. As unclear as the longer term of a future Twilight project is, not one report has instructed that Stephenie Meyer is concerned in any wise capability, and she or he’s actually remained mum on the topic since the rumors broke. Sources are, of course, saying that any continuation would solely happen along with her “blessing,” a splendidly imprecise concept that enables her to stay out of the fray should the new comes flop, but claim credit should they succeed, and each one while not much direct involvement in the least. The importance of Meyer’s commitment to the long term of the Twilight franchise, but, points towards something that Summit ought to be taking very seriously because it considers whether or not or not to travel forward with any post-Breaking Dawn comes for The Twilight Saga: how best to handle the fan base.
Additional than any historical suckiness of recent solid sequels and additional than the priority concerning accidentally overstepping the mark and making one Twilight too several, the most important danger for further Twilight comes is alienating the franchise’s core audience. Once all, the “Twihard” relationship with Twilight is something notably intense. Fans hold the novels up as the central texts so much additional than the movies and are so a ton of likely to be suspicious of something that steps outside of the boundaries and relationships created within the books, perhaps deeming them either superfluous or, worse, blasphemous.
(ADDITIONAL: Get Back: Prometheus, Before Watchmen and conjointly the Complicated Art of the Prequel)
The best parallel to the current is that the reaction to DC Comics’ announcement of Before Watchmen, a multi-series prequel to Alan Moore and Dave Gibbons’ groundbreaking Watchmen comic that featured no inventive input from either Moore or Gibbons. DC was attacked for “turning [the original] into bland, infinitely reproducible genre product”, with the project described as heresy while the creators accountable were described as “rancid scabs” for operating on the project. (Despite this anger, the comics still sell well, with the first issues released breaking into the prime 10 for that exact month.) While I doubt that any Twilight follow-up would lead to quite as vitriolic a response, there’s no obtaining round the terribly fact that, when you've got interaction an acquaintance base as passionate as that of Watchmen or Twilight, you’re taking part in with fireside. As simply as the audience will embrace you for doing one thing that they approve of, they can flip on you for doing one issue deemed unacceptable, with the road between the 2 not entirely clear to “outsiders.”
And any future Twilight project risks the wrath of the Twihard devoted in an exceedingly truthful additional obvious method: it won’t actually be Twilight. As countless people have argued, the attractiveness of The Twilight Saga isn’t the thought of sparkly vampires or shirtless werewolves co-existing at intervals the Pacific Northwest where they'll brood and smolder at each completely different, but the central relationship between Bella and Edward (a love that cannot speak its name and goes against societal norms, but nonetheless makes every characters into extra complete, higher individuals; a relationship in that the feminine is place on a pedestal whereas taking a lively, nurturing role within the link to “heal” the more aggressive aspect of the male). Once you are trying to inform a story among the Twilight world that isn’t concerning Bella and Edward, you immediately lose that draw for readers and, worse, risk undermining the book’s not-too-refined positioning of the attempt’s relationship as every the Greatest Love of All and additionally the Center of the Universe. Making an attempt to recreate the Bella/Edward dynamic with new characters may build sense from a “provide them what they wish” approach, however doing therefore might all too merely diminish the adolescent self-importance that’s essential to Stephenie Meyer’s original story. When you're taking Bella and Edward out of Twilight, all you’re left with may be a reasonably generic vampire and werewolf story.
Cinematic history has demonstrated that removing your main characters from a movie series sometimes ends up in lesser — and fewer successful — results. The thought of a sixth installment of a series that choices an all-new solid in an exceedingly story so much from the central arc of the first five movies would seem to be a probably troubling risk. Add to that the opportunity for upsetting fans by going beyond the core text of the first novel series for the primary time, raising the potential to be seen as “exploiting” the property and its fan base rather than just faithfully hewing to the earth that Stephenie Meyer created, and the complete notion begins to feel less sort of a dangerous set up and additional kind of a suicide mission.
That doesn’t rule out the likelihood of it really happening, of course; a world in that we tend to’re seeing trailers for a fifth Die Exhausting movie is one that ably demonstrates the triumph of potential box office earnings over creative sensibilities. But to work out Summit stretch The Twilight Saga past its supposed endpoint is to observe the studio risk its crown jewel for the promise of slightly further profit. If they plan to travel ahead with the rumored plans, those vampires can sparkle just a little less brightly.
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